Category Photography

Why do we Photograph?

Many people take photos; fathers of their sons, boyfriends of girlfriends, journalists of riots and wars, studio photographers of newborn babies smirking, and artists of dry stone walls, still mists on grey mornings, and mad swerves of grafitti colour on city walls. All kinds of images by and including all kinds of things and people. Is there a motive behind all of this (practically similar) activity? Elementally – why do we do it?

An initial worry is that this was something too obvious to explain or too mysterious to explain. Mysterious things are better left unexplained, and seemingly obvious things often must be explained. It would seem at first blush that people take photos for obvious reasons. It could be to record an event or to decorate a wall. But that cold analysis does not explain why some people, many people, derive such an addictive and constant joy from the act of photographing. There must be a deeper reason.

Here is a theory to consider. Photographing is an emotional dialogue. And as such, it is complicated by all of those mechanisms we use to be coy and to cope with the way we feel – diversion, protection, embarrassment, intimacy, honesty. We take photographs because it is a way we can show affection in a safe and protected way. Every time we take a photo, we are motivated by an impulse of affection for the thing in front of the lens. This could be anything – flowers or faces. It could be affection for an idea – what the image represents or the story it tells and why it should be told. Or it could be affection for a pattern, colour or most often a person. And in taking that photo, it’s possible to make those fleeting and glorious aspects of things we love last a little longer – captured in a photograph and kept to enjoy. And all the while – we can do this blatant act of swooning affection safe behind the glassy protective sphere of a lens and know that we can do so without ever having to vocalise those difficult and choking sentiments of affection. It is fundamentally because of a pervasive fear that the best and most beautiful things don’t last long or forever – and by photographing them – we show some affection for them and save them from disappearance.

Freezelight Magic Forest

The guys at Freezelight.ru have really fine tuned their own long exposure techniques. I can’t imagine how difficult it must be to animate using these techniques. Very impressive.

Music: Apparat – Like Porcelain [MP3]

The PEN Story: Olympus Advert

I find this to be quite incredible. They took over 60,000 photos in the production! Printed 9,600 prints and had to retake 1,800 shots again. That’s serious dedication. Don’t suppose a big fat pay cheque from Olympus had anything to do with it : ) But seriously, no post production! Very impressive.

Music: Johannes Stankowski – Down Below [MP3]

Lucía, Luis y el lobo – Part 1 of 2

This is exactly what I’d imagine a young child’s worst nightmare would be like! I only wish I could understand without reading the subtitles while watching – for maximum freakout effect! I highly recommend checking out part 2 entitled Luis by Diluvio.

Incredible Stop Frame Animation by Blu and David Ellis

This is an incredible collaboration between Blu and David Ellis. We’ve covered Blu before with his MUTO wall-painted animation.

What I’m most impressed is by the speed at which these two great artists work. Watch the shadows from the sun towards the end when the serpent is created. Many of the animations take only a few hours – but are rich in detail and sophistication.

As I covered recently, this reminds me of LUIS: Amazing Stop Frame Animation by diluviogallery.com.

If you wish to see more of their work, I recommend checking out their profiles:

Creative Process: Holiday Card by Mind Castle

The folks over at Mind Castle decided to create a booklet & DVD to send out to their clients. However, they also decided to record the making of this booklet & DVD. I have to say, I’m not in love with the finished product (booklet) but the timelaspse of it’s making is really impressive.

Their control of aperture & focus during the timelapse was equally as impressive – using it to shift the users attention to the shots focal point.

Most impressive however was their ability to capture not only the production process but their thought process too. Shifting forward and backward through the design process clearly highlighted how much thought goes into a product like this. It’s a challenge all designers face when presenting work to clients.

Music: Feist – Mushaboom [MP3]
[dewplayer:http://www.thinkvein.com/wp-content/uploads/2010/01/02-Mushaboom.mp3]

Although not a huge fan of Feist, I think the song selection is excellent here. The light hearted rythm of the song is well suited to the playfulness of the clip. It somehow reminds me of the intro to Bosco when I was a child. If you don’t know wo Bosco is, check out the cliip below.

LUIS: Amazing Stop Frame Animation

This is amazing wok by dilivio again. I highly recommend checking out Lucía, Luis y el lobo, the second part of this 2 part series/compilation.

Reminds me of “MUTO a wall-painted animation
by diluviogallery.com

Stickmen exposure